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brian




Blast from the past

So Josh and I were discussing the tragedy that is borf getting arrested and he said "yo, there's something on NPR right now about it." So i connect with my laptop to npr.org to catch some streaming audio of it (which is upsetting because they only support RAM and Windows media) and start listening.

Immediately I am accosted with the voice of Neal Conan. I used to DJ at a radio station he called baseball games for and this guy was a colossal prick. He was also quite a bit loopy, so much so that he wasn't allowed to operate a motor vehicle and as such had to ride a bicycle around the mean streets of Aberdeen & churchville, MD. But... I digress. Back to how this guy set new epochs in being a tool.

So he was calling baseball games for the new farm team "the Aberdeen arsenal". The Aberdeen arsenal was a monumental failure in baseball. See, there was this idea that people gave a shit about baseball in Harford county, which is untrue. So the plan was that the team would play their first season games at the community college then move to the new stadium that Cal Ripken was building. To make a side comment about this, let me pull a quote from the Aberdeen arsenel website:

"The Arsenal spent one season in the Atlantic League before totally dissolving. Managed by Darrell Evans, the Arsenal played their games on a community college field, something players felt very uncomfortable doing. "

So lets analyze this. They form a baseball team and make them play at a community college. They get some wacko from NPR who can't drive a car to call the games...then they broadcast them on a community radio station.

Brilliant.

Now, to the part where I come in.... During all of this, there were 3 punk rock radio shows on the air, "The Mongolian Bar-be-que" hosted by erict. from "The Shitdogs of War", "Broken Hearts and Busted Arms" hosted by Jessse Morgan, and a third radio show called "A Grinding Noise" hosted by moi. It was always really annoying because our shows would get pre-empted by these games (which few people listened to) and we'd lose anywhere from 15 minutes to an hour of our radio show and have to sit working through this stuff. So i decided to have fun with it. I would play sound clips and read the weirdest public service announcements I could find and purposefully get parts of them wrong, My favorite part of all of this was the segues. On the most memorable occasion I played the Reversal of Man - "The Hills Have Eyes". That's the one with the amazing clip from "the burbs":

"I want to kill everyone. Satan is good, Satan is my pal...
I want to kill everyone. Satan is good, Satan is my pal..."


And this guy would call the station flipping out and complaining about me. Ranting and raving about the "devil worshipping stuff" i would play and how it would throw him off. (The best part off all though was that I could cue things up that he would hear in his headphones that wouldn't get broadcasted. I'd play Daybreak and shit to get it cued up at the beginning of the show, blaring it in his ears and to the general public this guy would just lose his shit mid-scentence and forget what he was saying.)

So as Josh and I were waxing poetic about this, I decided to look up some information about this and found that they're still using all of the web designs and logos I did in 1999. - WHFC, 91.1. Public Radio

[ posted by brian at 07/14/2005 11:47:12 AM ]
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Threaded Responses [ bottom ]
josh [email] said at 12:21 PM 07-14-2005:
brian's head still makes me laugh when i see it.
brian [email] said at 1:35 PM 07-14-2005:
oh man... i just read this in his bio - "and later wrote a book about his experiences, Play By Play: Baseball, Radio and Life in the Last Chance League."

I need to find that book and see if he mentions any of it.
Todd D. said at 1:43 PM 07-14-2005:
At KLSU we threw on sound effects during women's soccer games to add ambience (cheering, boisterous jeers, etc). This "enhanced audio experience" quickly degenerated into artillery shells being dropped, race cars screaming by and a wide variety of livestock grazing on the field. Someone called asking, "Where are they playing that game 'cause I just heard a donkey?"
Lesson: SFX turn boring radio into stupid fun.
[Reply To this] [#180777] [ip: logged]
    brandon [email] said at 10:55 PM 07-14-2005:
    I remember that that was wonderful. I used to record porn from tapes onto carts and play that late at night underneath songs. Ditto gregorian chants that I'd play at extremely low levels behind tracks.

    For a lot of us, songs with dramatic pauses were always fair game for goat bleats and farts.
      john [email] said at 12:52 AM 07-15-2005:
      I once put Detachable Penis on loop for the overnight since the DAT was broken. I slept at the station for some reason that night and at 5am I woke up and decided to go and just dj some songs till the morning drive guy got there. When I faded Detachable Penis out and started another song, some dude called up and asked why I had turned Detachable Penis off because he was listening to it.
      myriam [email] said at 1:16 AM 07-15-2005:
      This one DJ on KROQ did that in the 80s. I don't remember which song it is but I have one on a mixtape I made off the radio in which there's some random sound like that, and it wasn't until years later that I learned that it wasn't actually part of the song.

      I wish I could remember what song it was...

      I think it was a Violent Femmes, and it was Sluggo probably... (DJ)
      myriam [email] said at 1:16 AM 07-15-2005:
      This one DJ on KROQ did that in the 80s. I don't remember which song it is but I have one on a mixtape I made off the radio in which there's some random sound like that, and it wasn't until years later that I learned that it wasn't actually part of the song.

      I wish I could remember what song it was...

      I think it was a Violent Femmes, and it was Sluggo probably... (DJ)
        brandon [email] said at 1:58 AM 07-15-2005:
        The Violent Femmes has been popping up lately. Kingdom of Loathing has a character familiar, a pair of dice, which gives a random result depending on the number it rolls, e.g., if it rolls 11 it turns on you and inflicts some amount of damage. When it rolls 8, it forgets what 8 was for and does nothing.

        This weekend I was in the car with some friends and someone randomly recited the middle section of Add It Up beginning with "...share a smoke..."

        I often feel a special and unwarranted affinity with Gordon Gano.

        We also had some really creative editing solutions for songs with profanity in them. I remember this one in particular that Laura did for Nirvana's "Aneurysm." She took the line, "Come on over, and shoot the shit" and spliced and flipped 'shit.' Combined with Cobain's diction and the mind's tendency to suggest meaning, it sounded exactly like "Come on over, and shoot the fish" to the point that at least one listener called and asked about that new Nirvana song that talks about shooting the fish (This was 1996-1997)

        I had this really frustrating one by this Catherine Wheel... can't remember the song... but it had this long, drawn-out "fuck" over some intricate bridge guitar, so you couldn't just chop it. I did something where I was able to really lower the levels of the voice without destroying the guitars and beat too much, then I took this scream from a sound effects CD, flipped it around, ran it through that through some sort of time compressor on S.A.W., and then layed it on top of the fuck. And, while rough, it sounded like a really unexpected backwards guitar (like the first eight bars of Hummer) and kind of freaky.

        The term 'slapback' popped into my head the other day and I kind of chuckled to myself.

        slapback.


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